You can alter these cuts made by Premiere like any other clip use the pointer, ripple tool (B), or rolling edit tool (N) to refine edit points in the sequence. When you stop playback, you will notice cuts on the sequence in the Timeline where you switched the camera angles. We recommend enlarging the Program Monitor window for ease of editing. As you click on each image, Premiere will record these angle changes as cuts in your multicam sequence. While playing the sequence in the timeline, select the various camera angles in the Program Monitor window by clicking on the thumbnails of each camera. In the Program Window, click the wrench icon and select Multi-Camera. Overwrite or insert the multicam file into the new sequence. RIGHT CLICK and select MULTI-CAMERA > ENABLE.Įditing in the Timeline with Multicam ClipsĬreate a new sequence in the Project Window (Cmd + N). Premiere will automatically create a new sequence for you in your Project window, and you will notice that your camera angles have collapsed into one track (Track V1). Name this Nested Sequence “MULTICAM NEST” so you can keep track of your sequences. Select all of your camera angles in your timeline. This will prevent the program from Nesting your audio when you create a multi camera sequence. Once you are ready to create a multicam sequence out of your manually synced cameras, check that the LINKED SELECTION button is toggled to OFF. Discover how to combine multiple video angles, import footage shot with Premiere Rush on your phone, switch between camera footage, fine tune multi-camera cuts, and match cameras’ colors and frame sizes. Repeat this step for any other cameras you have recorded (CAMERA C, CAMERA D, etc). Line up the WAVEFORMS in the audio tracks to sync up the two camera angles. Overwrite CAMERA B on top of CAMERA A on track V2. Insert or Overwrite CAMERA A onto the timeline on track V1. The individual camera clips will automatically be placed in a bin titled “Processed Clips.”Īfter importing your multicam clips into the Project window, Create a New Sequence. Click OK.Īfter selecting OK, premiere will create a new Multicam Sequence. You will have the option to rename your new Multicam Sequence.Ĭlick on the In Points option under the Synchronize Point menu. Right click and select “Create Multi-Camera Source Sequence”. Mark the in point exactly where the clapper snaps.Īfter marking your in points, select all of your clips in the Project Window. The individual clips will be automatically placed in a bin titled “Processed Clips”.Īfter importing your multicam clips into the Project Window, mark the “in point” on each clip in the Source Window. You will have the option to name your new Multicam Sequence.Ĭlick on the Timecode button under the Synchronize Point options and click OK.Īfter selecting Ok, Premiere will create a Multicam Sequence. Right click on the selected clips and select “Create Multi-Camera Source Sequence”. Make sure the slate is clearly visible on every camera.Īfter importing your multicam clips in the Project Window, select all of your multicam clips. Jam Sync : The process of locking syncing timecode on the camera to the timecode on the external audio recorder. It will also show you how to edit in the timeline using your new multicam sequences.ĭuring production, you have the option to jam sync timecode to all of the cameras using a smart slate. This guide will walk you through syncing cameras with timecode, in points, and manual syncing in the timeline. Now, if only Transcriptive didn’t arbitrarily move my timeline indicator around, while I’m trying to work, then it would be perfect.There are three main ways to use multicam editing in Adobe Premiere. That ensures that the multicam timecode will match the transcript, which the blog procedure does NOT. Because instead, all you have to do is open the multicam in the timeline, and then request a transcription of that. What I don’t recommend is what’s mentioned in the blog. So, in hindsight, with the advantage of experience, I recommend just following Paul’s advice (the commenter above me), and just not using clip mode for multicams. I’m able to use transcriptive as a short-cut to go to the bit of dialogue that I want, just as with normal clips. I thought from the above blog entry that it would not work, but it works fine. Meanwhile, Transcriptive 2.0 works just fine with a sequence full of multicam clips. Perhaps a faster system would be able to handle it better, but I also lost a generation in the footage. Yes, that solution works, but the file slows down my Mac too much, making it very hard to see the edit, without exporting first. I wrote the above multicam work-around, and after a month of using it, I wanted to come back, and alter my recommendation.
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